having lead us into the depths of his and opiums trippy minds on >somewhere in my head<, david k - now residing in berlin - returns to his native land to team up once more with best friend, label boss and the man behind >100<, varoslav, on what is set to be the fledgling imprints fourth release to date.

former knob-twiddler with the hardcore band the rise, alongside cory kilduff, who both later went on to form ocelot, an electro-pop band that was signed to mark joness wall of sound ...
james welsh has had quite a career already it seems! in between his bmxing holidays, touring the world and slaying festivals, he has found the time to come up with some excessively heavy house music ...
pressing on dark red vinyl.

7 inch collectors item

incl. manik & hot since 82 rmxschris james, 50 % of one of the fastest rising artists of 2011, coat of arms, presents his first off ep. and theyear might be young, but we predict this will be one of our highlights for 2012. nothing else matters is a massivepeaktime anthem. cutting-edge production, a massive bassline, anthemic vocals. the remix by hot since 82 transforms the original into an even darker affair, adding spooky synth pads and a slightly techier groove. for on & on james takes similar ingredients as for nothing else matters - killer bass, irresistible vocal, massive production- but cooks up a slightly deeper track, perfect to be enjoyed at the earlier or later hours of the night. man of the moment manik nyc delivers a massive remix for on & on, adding a subsonic garage-ish bassline, eerie synth stabs,little acid licks and jacking rimshots.

>i am bad< is d minds first single of the year and it features guest vocalist charlotte james from the well respected trio hybrid. the original mix coupled with the enei remix makes for a great all round release offering two different ends of the dnb spectrum.

r&s finish off another excellent year with a brand new ep from james blake. his cmyk and klavierwerke releases for the label are widely regarded to be amongst his best work, and these three new tracks will further his reputation as one of the finest auteurs working in electronic music today.
this is strictly limited to 5.000 copies worldwide.

zod is the new project from rebels boss damian lazarus and james what. debut warped production >rise before zod< is about to land on rebellion with a diverse duo of remixes from acid pauli and shadow dancer

limited reissue of this huge funky / disco classic

pressing on white vinyl.
supported by jimpster, moodymanc, anna wall, kruse & nürnberg, and james johnston, pete gooding, jordan peak ...

following a pair of fine releases on fine art and under the shade, james johnston delivers another superb ep for no matter what. >after everything< is a masterfully created slice of rolling deep house flirting with disco styles, punctuated with snippets of disco guitar licks and dubbed out vocal samples, all held together with a sumptuous chord sequence. the comparatively upbeat tempo rhythm and deep subs of >lost the house keys< which follows comes as something of a surprise, and the chopped up piano which causes the track to erupt into a flurry of jacking rhythms only add to the proto-chi house mood. the rest of the tracks continue with the same kind of upbeat pace, with >get back to the feeling< interlacing a variety of female vocal samples within its 909 rhythms, and >xtc< injecting some serotonin into the ep with its razor sharp synth stabs and snares, whose rhythms recall the deadly precision of marc kinchens early productions...

as a new year starts naked & ashamed kick off their adventures in club land with a release from new artist james washington.in the nite klub is the a side, a powerhouse groover fit for peak time use whilst flip sides sweet utilises a tribal groove with a simple melody for an overall hypnotic feel.

the original mix is an anthemic floor monster!! killa

a one-off release from james and karl here showcasing chunks of their killer live set from a recent london gig. the a-side is basically a brilliantly executed and bass heavy mashup of ruskins classic track work alongside the much loved blunted rhythms of kalons man is the superior animal.in contrast the b-side is a great intro/outro beatless tool.

supported by: ryan crosson, danny tenaglia, sian, sis, chaim, gabriel ananda, anjia schneider, kiki, dj ralf, lee burridge, delete, james zabiela, terry francis, edu imbernon, james lavelle, tom findlay - (groove armada), nick warren, shadow dancer, thomas schumacher, luca bacchetti, dave seaman, steve parry - (juice fm uk), jose maria ramon - (ibiza global radio)

nd release of new artist on endless flight >arthur james denton<. title track of a1 >an odyssey< is dark chicago house track, a2 >loon< is funky rave house track. legowelt remix on b side is more tech house style. the debut album is coming in the next year.

limited backstock action !!!

nice price deal !!! bran van 300 is a musical circus orchestrated by james di salvio. known for there 1998 hit >drinking in la<, this unconventional collective is based out of montreal but also la, and even mexico. this is taken from their most recent album >the garden<, and features the vocals of freddie james, a child star of the disco days in montreal famous for his 1979 hit >everybody, get up & boogie<. fast forward 30 years and we have this amazing collaboration between bran van and freddie that we just had to get our hands on!

ruff revival livens up the dance by offering the best in raw bass driven tunes for the floor. jungle, garage, and dubstep vibes get mashed up together on each release, with the emphasis on fun, rudeness, rhythms, and bass experimentation.

endless flight happy to announce the debut release of arthur james denton. arthur james denton is a new moniker of maelstrom who had released on eskimo, mindless boogie and running own label >solardisco<. the both tracks are funky, bumpin early 90s new york house sound. it reminds the sound of kenny dopes house syndicate. one more release from arthur james denton will be released in this year. its included massive legowelt remix. watch out for this new artist!!

east meets west on culprits seventeenth ep release, as three emerging producers from russia make their debut on the los angeles based label as special case. as culprit enters the next phase in its lifecycle, young producers are submitting music that is inspired by the culprit catalogue. championing fresh acts, as evidenced on the above the city compilation, is becoming a key aspect of the culprit ethos.
heralding from st petersburg and moscow, special case is part of a rising wave of eastern european artists, a region that holds tremendous importance for culprit s ukrainian born andrei osyka. having established reputations as individual djs in their native soil, the trio came together as special case specifically to create a release for culprit, and with the belief that the whole would be greater than the sum of their parts. aurum is dancefloor gold and proves they were right to do so.

for his inaugural outing on under the shade, james johnston delivers a deep and heavy house workout with three original belters that all seem to evolve and grow from a slow sauntering groovers into mammoth club rumblers. slow in tempo but huge in delivery all teeter around the lower pace of the house spectrum but as james layers them up all become so crammed with content they bust out at the seems and drive home in splendid fashion. also included is a killer andy ash remix of >there is always time to change< that boosts the tempo and utilizes the underlying disco sample to devastating effect.

a few days ago james blake premiered a new track, a collaboration with bon iver called >fall creek boys choir<, and now its been announced that the track will be included in an upcoming ep from blake called enough thunder.
we now also know that the ep is due out october 10 on atlas and will feature blakes cover of joni mitchells >a case of you<, as well as four other new tracks from the electronic singer-songwriter wunderkind.

james din a4 is the master of a stumbling, stubborn mpc techno style >made for dancefloors which have not been invented yet< - as a reviewer of his pingipung album in 2009 wrote. these two tracks mark the end of the series, and they do it with a playfulness and in the best of humours. for djs who like to break the rules.

larry levan meets julio bashmore at soul claps pool party. featuring a remix from noise floor crew (dust traxx) from man with releases on tartelet, jackoff, mothership.

super limited dj promo from the new techno supergroup ! black label, hand stamped / stickered copies . features stunning plaid remix ! a treat for all blueprint fans here - a limited 1st edition dj promo of forthcoming material from the soon to land and much anticipated lp from new artist >the fear ratio< aka techno faves mark broom and james ruskin. this great 12inch will be officially released after the lp / cd has dropped in a few weeks but for now you get to enjoy an exclusive remix, of morning blues from plaid backed up by an exclusive deadhand (broom & ruskin) remix of guv three. both tracks will appear on the cd version but not the vinyl version of the lp so be sure to grab em while you can..

first appeared on lee curtis watergate 08...supported by dop, manik, tim green , pezzner etc..
spains jazzler aka dixie yure has been around for a few years now, recording a string of superb releases for fenou, nordik and of course flumo recordings. the summer of 2011 sees him follow up last years - she has ep - with an outstanding new track in the shape of - beth & the gamma ray fields. recorded as an ode to a fan called beth, - beth & the gamma ray fields - has already established itself as one of this summer big underground records, opening lee curtis watergate compilation and being used by the club for their summer opening video.

james johnston is on a roll! after his very well received release on 4lux he now dives in even deeper territory with these four excellent us-inspired deephouse cuts. we have the dark sexy groover >a new day begins<, the sunny rhodes-driven >drive around the city<, the smoked-out >haze< and the hypnotizing late-night workout >why do they wanna go<. a masterclass in deep yet up lifting housemusic.

nice price deal !!! strong gymnastic house tunes brought to you straight from the gym. pumping iron by incredible james braun (part of the tartelet records family from copenhagen) and scott aka daniel brandt & jan brauer (two thirds of brandt brauer frick). >606 n rock n roll< will also be released as an orchestral re-interpretation on the upcoming brandt brauer frick ensemble album on !k7 in ocotober 2011

nice pairing of producers to rework two cool old klaus weiss tracks...! b-boys delight!
faces records & les disques superfriends together with moula moula publishing are proud to present you the selected sound remixes series! franky hutchinson & pablo valentino dug deep into a particular era of the famous german sound library catalog, which primarily dealt with the early 80s cosmic & electro sound ... naturally we asked some of the best producers around to rework on these nuggets from such composer as klaus weiss & roland kovac.
the 1st part comes with 2 excellent boogie/disco remixes from james pants (stones throw) & tom noble (lotus land, superior elevation).

nice price deal !!! the third release on boogie originals is another genre-crossing musical excursion from deep space orchestra and james johnston... with a remix from voyeur rhythms ben sun. title track chrome hands clockwork space android sound rolls out perfectly along the deeper plane of the label, whilst ben suns remix lifts us up with added layers of percussion and super emotive synth work. on the flip james johnston treats us to two entirely different slabs of the sounds that inspire him. faces and traces works the slower groove for the earlier dance-floor, and sunshine stars bringing out the purely epic. all the tracks are made for the dance-floor, mastered separately for vinyl and digital release, and will be in all the usual music outlets soon.

one of the stand out moments and most in demand club tracks from the simon baker >traces< album returns in remixed form, alongside the vinyl edit of simons original. its taken us a while to get pokerflat head honcho and all round german house music legend steve bug on board for a remix, but its worth the wait as he delivers a lesson in refined, deep house music. next up burnski and robert james deliver a mammoth, hypnotic jam that twists and turns for 10 minutes and still leaves you wanting more.

london based james what is a well known musician treading the more left-field and creative end of the tech house spectrum. his numerous eps alongside dan berkson have become poker flat classics in recent years and so we are happy to welcome him in his first solo effort for the label. lead cut >it feels wrong< fuses classic analog bass with lively synth work and satisfyingly complex question-answer passages that whisk us away into a sweaty, late night vibe immediately. berlin based lord of the witching hour lee curtiss adds his touch on the remix side with a killer acidic treatment of >it feels wrong<. tense, soulful and teasing, this warm and super playable version will no doubt find its way to freaky dancefloors everywhere. >in the dark< slowly builds edgy, spooky elements in a deep, dark and sexy trip. combining smooth chords and keys, with trippy synths and sinister vocal snippets, whats bright and clear production works wonders in this slow-burner.

ltd white label action

the first release of the transfer series, one of four seven inch singles by andy moor and anne-james chaton, based around the themes of transition and transportation, side a constructed from factual information and side b from fiction. comes in a lush folded sleeve.

the second release of the transfer series, one of four seven inch singles by andy moor and anne-james chaton. comes in a lush folded sleeve.

mayer hawthorne covering the james pants track >thin moon< and james pants covering mayers >green eyed love<.

summer release for apersonal music comes with the debut of james teej on the barcelona-based imprint. teej, a canadian fine style producer who has been gaining attention in the scene for his complex and personal productions, releasing on labels as rekids, my favorite robot, rebirth, and recently under the aka of the king arms on wolf+lamb. teej now amazes us once more with 2 high caliber bombs for the season, >fame< and >city celebrity<, long and elaborated disco-tech tracks that wont let down his fans nor the audience looking for strong and complex slowmo nudisco & tech-house music. completing the release with the remix from cisco cisco (labels usuals) to >fame< with a sound stronger and more aggressive than what we are used to the portuguese duo, but with out loosing their dreamy-disco characteristic sound

all tracks written by mika vainio, except open up and bleed by iggy pop / james williamson. whereas previous works by mika vainio have utilized guitar life (… it eats you up) is the first to use the instrument as its primary sound source. a fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of vainios previous works with some stunning surprises, such as his cover version of the stooges open up and bleed. tracks such as mining hark bark to the banging beat excesses of pan sonic, with crashed and and give us our daily humiliation and the opening in silence a scream takes a heart reveal a new intensity to vainios work and is yet another superb addition to his already brilliant catalogue

label boss mark broom teams up with james ruskin for the night nurse ep remix from norman nodge

james blake returns to the label that gave him his debut release with two brand new sub heavy club tracks. hemlock were responsible for his air and the lack thereof single back in 2009. neither >order< or >pan< have appeared on blakes soulful, electronic self-titled album from this year, the new material sees the return of blake into the more sparse, experimental and wobbling bass heavy sound of his earlier work

we are back for another slab of genre-defying, ass-kicking, booty-shaking, timeless underground beats. get the curse music 07 features two cuts from the mysterious crackboy and two remixes from rising star gesaffelstein & toronto’s james teej. the question of crackboy’,s identity is burning everyone’s lips. who’s hiding behind this oh-so poetic moniker? theories abound, and rumor has it crackboy was last seen smoking on his pipe in the filthiest dens of the parisian underbelly. efforts to trace him since then have proved fruitless and until the next sighting, the enigma remains.
in spite of all this mystery one fact is crystal clear: with early feedback from ed banger’s busy p reaching the same conclusion that crackboy’s productions are solid gold, this is an ep with substantial crossover potential that will put the whole scene on the same wavelength.
support from joris voorn, steve bug, konrad black, laurent garnier, busy p, mathew dear, roman flugel, stephan bodzin, deetron, dubfire, kiki, gregor tresher, norman nodge, dj feadz, the hacker, remain, cosmo vitelli, arnaud rebotini, tobi neuman, erol alkan, ewan pearson...

10 inch release with 2 tracks, taken from james blakes selftitled album.

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

jb aka james braun, creates music as if it were sonic sculptures chiselled with kicks, snares, drums and synth-bass, is back with three new dance floor monuments for you to worship. *a. on massacre jb succeeds in creating a horror universe that can make even the most hardened detroit fan become insecure and frightened when standing alone on the berghain dance floor. but fear not, for its only music and if you flip the record, youll become entranced by the melodic *b1 retrace your steps. a musical odyssey back through time that literally retraces jbs own steps and makes you think about who you are and where you came from. *b2 slapper is musical meditation that yields unbridled joy and chilled out bliss…and makes you send eager kisses towards the sky where the benign, chubby gods of music laugh heartily and scratch their white beards and ample bellies while returning your kisses, mwah!, and uttering you ravey, little rascal! we will provide for you as long as you remember to appreciate us. please enjoy the new record from james braun. tartelet records 2011